![]() Our TD's are primarily trained up on the Ross Carbonite way building and editing custom controls but have been frustrated in the transition to ATEM in how there is a lot of potential capability with ATEM Macros, but little to support them, such as the lack of a real editor to go back and make adjustments to polish on air elements. ![]() From an engineering perspective there are things I love and hate about it, but what I'm really curious about is its Macros. My company is slowly starting to switch some of our smaller shows on the ATEM Constellation 8K. R/talesfromproduction All your weird stories R/LocationSound Location sound AKA Production Sound R/audiopost For post-production sound geeks in Games, TV, Film, and Broadcast r/crestron All that is good (and bad) in the world of Crestron r/broadcastengineering Also includes radio! r/CommercialAV Commercial audio, video, and control technologies If you have any questions or suggestions please feel free to messsage the moderators! We would love to make this a great and successful subreddit for all of us video engineers! Remember that no question is stupid and we work together to create a friendly community. ![]() All things video are welcome!įeel free to post anything you like from questions to pictures. From a dad with a camcorder to a professional engineer at the superbowl, or a small meeting room operator to a widescreen specialist, projectionist, LED wall engineer or a electrical video engineer. ![]() This subreddit is open to anyone to discuss, share and show their work, as well as ask questions towards anything concerning video production. Welcome to r/videoengineering! Inspired by our brother subreddit: audioengineering ![]()
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